2019 Festival Program
Friday
19.00 Opening concert „Le Jardin Secret“
Introduction
G. B. Fontana – “Sonata No. 2”
Interlude
K. Saariaho – “Jardin Secret” (Secret Garden, excerpts)
Interlude
D. Castello – “Sonata No. 1”
Interlude
P. Boulez – “Dialogue de l’ombre double excerpts” (Dialogues of the Double Shadow, excerpts)
Ieva Saliete (harpsichord)
Jorrit Tamminga (live electronics)
Erik Bosgraaf (recorder)
20.30 Concert for children “Crooked Songs”
P. Buravickis
„Kar, māmiņa, šūpulīti”
„Auklē mani, māmuliņa”
L. Leimane
„Sarkana, sarkana saulīte lēca”
„Baltaitiņa jūru pelda”
P. Buravickis
„Līkās dziesmiņas” (J. Baltvilks)
„Līkā dziesmiņa”
„Spīļaste pārbauda grīdu”
„Siena kaudze”
„Apogs pogājas”
Ēvalds Lazarevičs (piano)
Platons Buravickis (live electronics)
Armands Siliņš (baritone)
21.30 Circus show „Handspun”
Tricks and dances with ropes as a game of dramatic tension. The artist engages in silent, yet theatrically expressive dialogues with her partners. The tone of the conversation changes widely: from quite friendly to sharply confrontational, from mocking to flirtatious.
Contemporary circus group “Ilmatila”
Ilona Jäntti (choreographer and performer)
Luke Styles (composer)
Erik Kiršfelds (cello)
23.00 Concert “PPPM: KVADRIFRONS sings and plays”
„Sūdi vagā”
„Skābais lietus”
„Nelaid māte”
„Это ветер, кид”
„21, 22, 23”
„Par draugu atkalredzēšanos” (Purkšķu dziesma)
„Perturbōna takās”
„Šmiga”
„Kad egles novīst”
„BŽS”
directors Ance, Āris, Reinis and Klāvs, the trio of technical directors Inese and Kārļi, permanent assistant and musical director Jurģis and other friends.
00.30 Synthesizer Musicians’ Standoff with elements of poetry
Synthesizer Musicians’ Standoff is a continuation of the analog pianists’ fights that have outgrown themselves and synthesized themselves.
Rūdolfs Macats (piano, synthesizer, voice)
Platons Buravickis (synthesizers, voice)
Kirils Ēcis (poetry/performance)
Saturday
09.00 Morning stretches
To stretch, to walk, to shake. To greet the sun and the coming day.
Ieva Gaurilčikaitė, Krišjānis Sants, Erik Eriksson (coaches)
09.30 Performance “Beasts are Restless”
In the darkness of the deep night, a young man is waiting for someone. Even through the walls of the apartment, hostile glances pierce. A cockroach, standing menacingly in the shadows, scratches its mustache. What are these nocturnal creatures that scratch at the door and yearn to get inside? Only the red eye of a cigarette shines in the darkness. He would much rather watch the reflections of the stars in the lake again, wander in the woods and indulge in free love. The young man is a composer who has quickly become widely known with his latest, radical composition and who now has to listen to the opinions of his supporters and critics. The central state newspaper condemns his composition – instead of musical chaos, the masses need something melodic and beautiful. This game could end badly.
Something similar was caused by an article in the central newspaper of the Soviet Union “Pravda” in 1936, something similar was experienced by composer Dmitry Shostakovich at a time when it marked a break between revolutionary avant-garde searches and stagnation imposed on art. However, the performance “Beasts are Restless” allows us to experience what it means to be young in a difficult era. It tells of the drive to create music and the process that a young person goes through, searching for their own voice, longing for the undefined and struggling with insomnia caused by fear. The creation of the performance is based on the testimonies of the era, life stories, literature and Shostakovich’s music research, as well as joint creative searches in the elephant stable of the Riga Circus and now also in the former Susēja School.
Director: Martin Mutschler (MEMBRA) /DE/
Concept author and playwright: Evarts Melnalksnis
Actor: Āris Matesovičs
Dancers: Simona Orinska, Ieva Putniņa
String quartet: Madara Gaile, Līva Plociņa-Janova, Māra Botmane (Sinfonietta Rīga), Pēteris Trasuns (LNSO)
Set and costume designer: Anda Skrējāne
Lighting designer: Jūlija Bondarenko
Producer: Inese Tone
Assistant: Miķelis Raudseps
Head of the production department: Kārlis Tone
Technical support: Kārlis Staņa, Jurģis Lūsis, Andris Zeļonka
12.00 Concert of the group “Trio con Brio”
M. Dzenuška – „Jūriņ’ prasa smalku tīklu”
L. G. Žarinovs – „Skaņdarbs diviem saksofoniem un sitaminstrumentiem”
S. Grigorjeva – „Es gulu, gulu”
A. Raumanis – „Tumša nakte”
Trio con Brio – „Āzītis”
Ē. Miezis – „Žūžū / Timbaka / Ramtai”
R. P. Rubenis – „Krēsla pirms naktes”
Miķelis Dzenuška (marimba, xylosinth, electronics)
Aigars Raumanis (alto saxophone, aerophone, electronics)
Rūdolfs Pēteris Rubenis (baritone saxophone, electronics)
Sigvards Dižais (percussion instruments, percussion)
13.00 Pinkas
What do the symbols hidden in the paths, stages, walls of houses and under the branches of trees of the Sansusī festival say? Discover the secrets of Sansusī together with young and old!
Saulė Norkutė (director)
Šarūnė Pečiukonytė (scenographer)
13.00 „Piedzīvojuma Gars”
Spēle ar uzdevumiem visai ģimenei
14.00 Gustav Mahler song concert
G. Mahler – “Rückert-Lieder”:
“Liebst du um Schönheit” (Do you love only for beauty?)
“Blicke mir nicht in die Lieder” (Don’t look into my unfinished songs)
“Um Mitternacht” (At Midnight)
“Ich atmet’ einen linden Duft” (I breathe in the gentle fragrance)
“Ich bin der Welt abhanden gekommen” (The world has lost me)
G. Mahler – “Des Knaben Wunderhorn” (The Boy’s Wonder Horn):
“Verlor’ne Müh” (Wasted Effort)
“Das irdische Leben” (Worldly Life)
“Rheinlegendchen” (Little Rhine Legend)
“Lied des Verfolgten im Turm” (Song of the Persecuted in the Tower)
“Lob des hohen Verstandes” (Praise of the Noble Reason)
“Urlicht” (Primordial Fire)
Marie Henriette Reinhold (mezzo-soprano)
Vita Gajevska (piano)
15.30 Lecture on vocal techniques in contemporary music
Mexican composer Diana Syrse is a Sansusī resident who studied contemporary vocal techniques in Los Angeles. In her lecture on the diversity of these techniques, she will focus on the singing traditions of different cultures around the world, compare them, and show how the voice can create very different sounds. Examples will be used to explain how these techniques have been incorporated into 20th-century and contemporary music.
The lecture will be led by composer Diana Syrse
16.00 Performance “Nearby Emptiness”
“Nearby Emptiness” is a dream-like collage of archetypal moods presented in the form of a performance. The focus of the work is being between two states – between destruction and renewal. Between change and movement from system to system, from order to order, from chaos to order and back to chaos, which moves like a spiral up and down and never stops. It is an eternal, sound-like movement somewhere in the void.
In 2017, the performance experienced a work process version called “Celies augsā, nāc man līdzi”.
Dancers: Ieva Gaurilčikaitė, Krišjānis Sants, Erik Eriksson
Vocals: Jolanta Strikaite
16.30 Conversation with participants of the Sansusī residency
The so-called “Evart’s German Group” has returned to the “Sansusī” residency. Last year, in collaboration with volunteers, they created a performance sketch “Buried Whisper”. The residency participants were inspired by the festival, so this year they have come to work on a new idea for a musical theatre performance that will be created in the coming years. In a conversation that will conclude the residency, the artists will talk about what they have done during the week and how contemporary musical theatre is created.
Participants: playwright Evarts Melnalksnis, director Martins Mučlers, composer Diāna Sirse, singer Liza Florentīne Šmalca, scenographer Thilo Ullrichs, painter Amanda Ziemele
19.00 Concert “XXI Century”
A. Altmanis – “Sonata”
P. Hindemith – “Sonata No. 1” op. 25
L. Berio – “Sequenza IX” clarinet solo
A. Ginastera – “Danzas Argentinas”
G. Kurtag – “Hommage a R. Sch.” op. 15d
Guntis Kuzma (clarinet)
Agnese Egliņa (piano)
Pēteris Trasuns (viola)
20.30 Show for children „Perturbons”
Have you noticed that public transport is no longer running on schedule? In several apartments, the lights suddenly go out, and when they come back on, the kitchen walls are covered in a thick layer of saliva! Butterflies have started living in some books, and a snail the size of a cinnamon bun fell out of our janitor’s ear this morning. Do you think this is a coincidence? You are wrong. The Perturbon’s nest is to blame for everything! Perturbon is something even more mysterious and frightening than vaccines, worms in the stomach, and otitis media all at once. During the performance, KVADRIFRONS, together with the children, will try to find their missing friend and prevent the mischief caused by Perturbon. A performance for primary school children and their parents.
Director: Paula Pļavniece
Actors: Ance Strazda, Reinis Boters, Āris Matesovičs, Klāvs Mellis
Text: Klāvs Mellis, Ance Strazda
Text editor and author of poems: Inese Zandere
Composer: Uldis Sniķers
Lighting designer: Jānis Sniķers Scenography: Austra Hauks
Costume designer: Berta Vilipsone Choreographer: Katrīna Albuže
Producer: Marta Kraujiņa
21.30 Summer Night Dancewith the ensemble „Brāļi miltus pūtēji”
Artistic Director: Ritvars Garoza Trombone: Artūrs Bērziņš
Tuba: Raivis Māgurs
Bass, banjo: Kristians Priekulis Drums: Krišjānis Bremšs
Trumpet: Kristians Kalva Trumpet: Jānis Ivuškāns Saxophone: Edgars Beļickis Piano, accordion: Ritvars Garoza
00.15 Electrocello fight with poetic elements
Electrocello fights are a continuation of the analog pianist fights that have outgrown themselves, synthesized and become electric cellos.
Jānis Pauls (cello)
Ēriks Kiršfelds (cello)
Marija Luīze Meļķe (poetry)
01.30 20-minute disco with DJ Lyn Delay Money & Tas Kas Traucē
Composer Linda Leimane will synchronize festival visitors to the rhythms of forest dance, combining Belarusian dark slow techno, Canadian disco mantras, Latvian African drum ritual rhythms, rhythm patterns generated by computer algorithms, rural recordings, etc. She will be joined by poet and artist Artūrs Punte with laboratory magnetic mixers and other devices.
Sunday
05.00 Dawn concert
I. Zemzars – „Gaišā mūzika”
S. Mence – „Zvana pārvērtības”
I. Veide – „Tumši zaļš samts”
I. Veide – „Jasmīna smarža”
R. Tiguls – „Raksts nr. 4”
D. Bleikša – „Kādas dvēsles spektogramma”
A. Raumanis – „Confessiones”
Koklet Ensemble “CANTATA”:
Anda Eglīte, Līga Griķe, Katrīna Anna Skrastiņa, Dārta Zelma Skrastiņa, Madara Ivanovska
10.00 Children’s show WILD VOICES
Opera singer Clara Pertuy takes the audience on new paths with her diverse and unheard voice. It is a voice that sings, whispers, growls, hisses, roars, growls and caresses. Alone with a tambourine or accordion, she creates a polyphony of freedom, surprise and joy. The performance features John Cage, Georges Aperguis, Luciano Berio, Hildegard of Bingen and popular music.
Clara Pertuy, vocals
Sophia Grelié, direction, space
12.00 Concert ENGLISH DIALOGUE WITH HARPS
J. Dowland – Songs
Midnight Song
Come Again, Sweet Love
Flow, My Tears
Woeful Heart with Grief Oppressed
Can She Excuse My Wrongs
F. Rizza – Big Ben Song
B. Britten – Folk songs
Lord, I married a wife
She’s like the swallow
David of the white rock
Bonny at mourn
B. Britten – A Birthday Hansel
My Hoggie
Afton Water
Winter
Leezie Lindsay
Mikus Abaroniņš, tenor, countertenor
Dart Tisenkopf, harp
14.00 THE FEARFUL HITTER
M. Kitazume – Side by side
A. Miyamoto – Dualites
S. Reich – Electric Counterpoint
K. Abe – Marimba d’Amore
D. Friedman – Looking back
J. Psathas – One Study, One Summary
J. Psathas – Etude
E. Sejourne – Romantica
M. Markovich – Tornado
N. Martynciow – Tchik
Elvijs Endelis, percussion instruments
16.00 Closing concert – „Rīgas Projektu koris”
D. Shapiro – „Sumptuous Planet”
M. Gilbertson – „Born”
J. MacMillan – „Cantos Sagrados”
I. Antognini – „Alleluia”
J. Runestad – „Come to the Woods”
„Rīgas Projektu koris”
Christopher Walsh Sinka (conductor)
Liene Andreta Kalnciema (piano)
Aigars Reinis (organ)
All days
HALL07.
The dramatic architecture performance “HALL07” by the company “TAAT” (“Theater as Architecture, Architecture as Theater”) is a space as a theatrical event. The artists use materials from the festival surroundings and build a theatrical space in the open air, thus creating a new facet of the long-term “HALL33” project, which has already created six performative space installations in different countries and is planned to be completed in 2033.
Forest 3D scanning and virtual viewing.
The workshop collects 3D scans of the world’s forests, transforming them into poetic and exploratory experiences in the form of a virtual installation. They explore our relationship with forests, while opening the way for creative conversations, stories and personal insights into the world. First, the artists will scan a section of the forest together with festival visitors. Later, viewers will be able to travel into the virtual forest with the help of virtual glasses, where they will be able to see not only unexpected transformations in the local forest landscape, but also many other forests from different parts of the world.
Artists: T. S. Anna, Adri Schokker (NL)



















