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Musical performance for children Insect (2016)

In the children’s play Insect, composed by Oļesja Kozlovska and Jēkabs Nīmanis based on Franz Kafka’s story The Metamorphosis, entomologist (insect researcher) Uģis Piterāns takes part alongside Armands Siliņš-Bergmanis, musicians, and actors.

director Anita Sproģe
playwright Justīne Kļava
set designer Austra Hauks
lighting designer Jānis Sniķers
composers Oļesja Kozlovska, Jēkabs Nīmanis

actors Ance Strazda, Klāvs Mellis, Reinis Boters
singer Armands Siliņš-Bergmanis
viola Dāvis Sliecāns
percussion Ernests Mediņš
French horn Ilvis Faulbaums
double bass Ivars Ozols

Gregor is an entirely ordinary boy from an entirely ordinary family, with whom a most extraordinary event has taken place. Convinced that his only mission on Earth is to study well and bring joy to his parents and teacher, Gregor lives in constant fear of not being up to the task. That is why, one fine day, Gregor finds himself in a situation where he can no longer fulfill his usual role.

The play Insect is based on motifs from the story The Metamorphosis by modernist writer Franz Kafka, who was born in what is now the Czech Republic. It tells the story of a typical middle-class family whose child turns into a cockroach overnight. In the roughly hour-long performance, filled with grotesque and absurd events, the audience will see two loving parents trying to live with someone who has become different, as well as a young person’s desire to break free from the constraints of expectations and begin an independent life.

During the performance, musicians play compositions by Oļesja Kozlovska created especially for the show, inspired by the theme of insects from the meadow and the household. There is also a popular science presentation about cockroach habits and behavior, helping the audience to shed stereotypes and see the cockroach as a nice and pleasant creature.

The play Insect is intended for the whole family. For children, it offers the opportunity to follow the coming-of-age story and self-discovery of ten-year-old straight-A student Gregor, while for adults, it provides a chance to recognize themselves in everyday realities of an era obsessed with success and gripped by a panic fear of anything different.

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Musical theater Devils (2024)

The premiere of the music theatre “Devils”, created by the Berlin music theatre collective “Hauen und Stechen” in collaboration with Latvian artists, happened on 9 August 2024 at the Sansusi Festival. The performance, based on Latvian tales and literature, is the next collaboration between the team of the opera film and the production “Baņuta” (2022).

You can find devils almost at every turn, according to the Latvian Folklore Archive of tales, which has been organised by researcher Alma Ancelāne for thirty years.  Devils are dwelling in swamps and forests, in manors, schools, under bridges and on crossroads. The devil “whistles like a whirlwind, explodes and splits, screams with a six-throated roar”, wrote Anna Brigadere in her poem “The Son of Power”. The devil is mentioned here and there, often where someone has died in a bad way or a cow has been thrown into a swamp. The devil is attributed in Latvian tales, as well as in other folklore and pop culture, to all kinds of desires, fears, experiences of violence and fantasies. However, it is clear that devil stories express much more about the human than the diabolical. The fantastic merges into our everyday world. It is a collage of motifs inspired by the archive cupboard of the Folklore Archive and life in the time of world destruction, as well as the works of different Latvian authors. New instrumental and electronic music was created for this show. The music theatre performance “Devils” was a sensually immersive, performative and colourful experience, presenting archetypal characters familiar to everyone.

The production was created by composers Raivis Misjuns un Alise Rancāne, dramaturge Evarts Melnalksnis, director Franziska Kronfoth, stage designer Lotta Hench. The cast included singers Laura Grecka and David Ristau, performers Gina-Lisa Maiwald and Āris Matesovičs, and multi-instrumentalist Jēkabs Nīmanis. The creators of the performance and the NGO Sansusi have already successfully collaborated on the opera “Baņuta”, which was nominated for the 2022 Great Music Award of Latvia. The energetic creativity and unorthodox approach of the Berlin based music theatre collective “Hauen und Stechen” is fascinating. It takes a performative approach to opera and theatre, offering a fresh and unique artistic experience that appeals to a wide audience. 

Financial supporters: the State Culture Capital Foundation, the Department for Culture and Social Cohesion of the Berlin Senate and the Goethe-Institut Riga. Cooperation partners: the National Library of Latvia and the Institute of Literature, Folklore and Art of the University of Latvia. 

Produced by Sansusī.

Libretto

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Operfilm Baņuta (2021)

Fighting as a partisan in the mythical Baltic past and in wars in 20th century Eastern Europe at the same time, Baņuta’s life is saved by weary and disenchanted Lithuanian prince, Daumants. Speeding away on a motorcycle, he brings the fighter back to his homeland in Romove, a holy Baltic site. There is about to be a wedding, but the preparations are interrupted by ravens. Their black feathers are a mirror for Daumants’ conscience and act as a reminder of his crime against Jargala, a girl he raped and killed. Soon Daumants falls in battle, and being a stranger in Romove, Baņuta is caught up in sacrificial rituals and revenge. However, she is strong-willed and will not bow to fate – no one will take her happiness away.

A hundred years after the premiere of Alfrēds Kalniņš’ first Latvian opera Baņuta in 1920, comes the opera film Baņuta – an international project that melds opera, music performances, the conditionality of the performing arts and contemporary performativity. Director Franziska Kronfoth and dramaturg Evarts Melnalksnis bring together Latvian artists and the German musical theatre collective “Hauen und Stechen” to interpret the dramatic message, which they do without sentimentality, playing with time and shattering space into pieces. The trauma and violence of war and personal relationships is an important leitmotif – Baņuta takes part in partisan battles, bringing with her the collective experience of the women who have suffered through the wars in 20th century Eastern Europe. Nevertheless, mixing the boundaries between genres, a paradoxical sense of humour seeps into the tragedy, while characters stuck deep in the centuries strive to break the fourth wall.

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Festival link 2.0

The goal of the project Festival Link 2.0 is to strengthen the ability of small and independent organizations to face shared challenges and difficulties through specialist exchanges and access to specialized knowledge. It also aims to promote artistic collaboration and encourage joint creative processes and decision-making by combining individual identities and community initiatives with shared values.

The project “Festival Link 2.0” brought together festivals and composers — Finland’s “Silence Festival” and Lauri Supponen, Germany’s “Classic Beat Festival” and Sofia Günst, the Netherlands’ “Bachfestival Dordrecht” and Oene van Geel, and Latvia’s Sansusī festival and Krists Auznieks.

From the uncertainty of sowing seeds to the abundance of harvest, the composition forms an arc — or a circle — across its four performances, encompassing the entire process of vegetation. Each quartet represents an interplay between the imagination of each individual composer and the space created between them. Each quartet is performed separately, yet connected to the other three. Together, all four quartets form a composition for an orchestra of 16 performers, operating simultaneously in one and several places.

The first quartet version, for violin, viola, cello, an

d double bass, performed by “Uusinta Ensemble,” took place on June 8 and 9, 2024, in Finland at the “Silence Festival” (https://www.hiljaisuusfestivaali.fi/).

On June 23, 2024, in Dordrecht, the Netherlands, at “Bachfestival Dordrecht” (https://www.bachfestivaldordrecht.nl/), the second version of the work — for flute, oboe, bass clarinet, and bassoon — was performed.

In Germany, at the “Classical Beats” festival (https://www.classicalbeat.de/), the version for electric guitar, drum set, trombone, and electric bass was performed on the evening of July 22, 2024, by musicians from the “Munich Composer Orchestra by Gregor Hübner.”

And the fourth version — for voice, kokle, accordion, and flugelhorn — performed by Daniils Kuzmins, Līga Griķe, Artūrs Noviks, and Kristians Kalva, took place at the Sansusī festival (www.sansusi.lv) on the evening of August 10, 2024.

All four versions were combined and captured in concert film format by director Toms Harjo, creating the fifth version of LOKS — a permanent, composer-created version for all musicians together. The film premiered on November 5, 2024.

Composers: Lauri Supponen, Oene van Geel, Krists Auznieks, Sofia Günst
Musicians: Maria Puusaari, Max Savikangas, Sirja Nironen, Vilhelm Karlsson, María Cristina González, Inge Ariesen, Fie Schouten, Bram van Sambeek, Felix Eilers, Fabian Ernst, Philipp Grabit, Tim Haas, Anna Emmersberger, Oscar Mosquera, Vincent Marian Crusius, Freddy Andrej, Andrew Munn, Līga Griķe, Kristians Kalva, Māris Rozenfelds

Director Toms Harjo: “This has been the most complex editing project I have ever undertaken. My only task: to help the listener not get completely lost in the jungle of sounds. Honestly, I don’t know if I got lost myself. But I’m really happy with the result!”

The project is co-financed by the European Union and the Ministry of Culture of the Republic of Latvia. “Festival Links 2.0” is a European cooperation project in the field of classical music, aimed at promoting greater sustainability for independent classical music festivals in Europe through artistic collaboration, audience research and development, and capacity building.

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EPICIRQ on tour

EPICIRQ on Tour is a project funded by Creative Europe, exporting the Baltic contemporary circus performances to international audiences by offering them residency and performing opportunities.

EPICIRQ on Tour is organised together with 5 international partners: Lithuania – Menu Spaustuve, Finland – Salo Circus Festival, Denmark – Dynamo Workspace, Latvia – Sansusi Festival, United Kingdom – Jacksons Lane.

The 5 partners chose the main programme of EPICIRQ 2023, then visited EPICIRQ 2023 in October in Tallinn and thereafter made the decision for a performance to be offered a residency and/or performed at their venue/festival.

This year EPICIRQ on Tour is offering support to 3 Baltic collectives:

  • Art for Rainy Days with performance “How a Spiral works” – residencies at Sansusi (FI), Arts Printing House (LT), performance at Jacksons Lane (UK) 
  • Kanta Company “Dear pressure” – residency at Dynamo Workspace (DK)
  • Aleksey Smolov and Lizeth Wolk (Big Wolf Company)  “NOT TO BE MENTIONED” – performance at Salo Festival (FI)

The Baltic contemporary circus presents something new, unique and unexplored.

Through this project, we aim to strengthen the quality and visibility of Baltic contemporary circus locally, regionally and internationally.

We highly believe that the uniqueness of the Baltic circus is something to share with the rest of the world.

​Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or the European Education and Culture Executive Agency (EACEA). Neither the European Union nor EACEA can be held responsible for them.

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Baltic Contemporary Opera Network (BCON)

Founded in 2024, the Baltic Contemporary Opera Network (BCON) brings together creators, producers, and critics from Lithuania, Latvia, and Estonia to strengthen collaboration in contemporary opera. After initial meetings across the Baltic states, BCON now moves into its next phase: a series of creative residencies from 2025 to 2027, aiming to develop and premiere new works of contemporary music theatre.

The first residency took place on 18–23 August 2025 at the Sansusī residency space in Aknīste, Latvia, following the Sansusī Festival. Artists from all three Baltic countries explored and developed new ideas for possibly creating new operas together.

Upcoming residencies are planned for 2026 in Tallinn and Klaipėda, and in 2027 in Liepāja, with new artists selected each time, but some returning participants may be invited to continue developing earlier concepts.

BCON is led by Operomanija (LT), Sansusī and Ģertrūdes ielas Theatre (LV), and New Opera (EE), with support from Baltic composers’ unions and key cultural institutions, including Klaipėda State Musical Theatre, ECCM, Estonian Music Days, and Lielais Dzintars Concert Hall in Liepāja.

Co-funded by the Nordic-Baltic Mobility Programme for Culture, BCON will conclude in 2027 with the premieres of two new contemporary operas from the Baltic region.

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Sansusī Creative Residencies

Sansusī Creative Residencies is an interdisciplinary program for artists and creative professionals that promotes the development of contemporary art and culture by offering an environment for creative work, professional growth, and interdisciplinary collaboration. During the residency, artists conduct research, develop new ideas, and create artworks while engaging in discussions and exchanges of ideas with other residents.

At the residency center “Susēja,” artists are provided with a supportive creative process that includes technical and material support, as well as opportunities to interact with the local community. The goal of the residency is to promote cultural decentralization by making contemporary art accessible in regional areas and to ensure an environmentally friendly approach to art creation.

This year, the residency center has hosted 16 different interdisciplinary projects in contemporary performing arts, music, film, and applied arts, supporting a total of 23 artists from various European countries, the United Kingdom, Australia, and China.

Sansusī Residencies provide an environment where artists and the public can interact, creating unique artistic and cultural experiences while promoting sustainability and regional cultural development. It is a place where artists can conduct the necessary research, work on their creative processes and projects, and develop themselves both professionally and personally. A place where new collaboration opportunities can be discovered on local and international levels, offering unique experiences while also enhancing the artists’ own inner well-being.

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Sansusī Dance training

Sansusī Dance Training is an international Erasmus+ project bringing together 31 youth workers from 7 countries for a 9-day training. It uses dance and body movement as tools for inclusive, creative, and empowering youth work. 

Project is financed by European Union through Erasmus+ program. Financing is governed by Jaunatnes Starptautisko Projektu aģentūra in Latvia. Project nr. 2024-1-LV02-KA153-YOU-000233201

Sansusī Dance training took place in June and continued all across Europe through follow-up activities delivered by participants. Bodies move and we as organisations and communities move with them.

Sansusī Dance training was an Erasmus+ project, co-financed by European Commission, in Latvia it is overseen by Latvian National Agency Jaunatnes Starptautisko Programmu Aģentūra.

This publication reflects only the author’s views and opinions and not necessarily those of the European Union, the European Commission or the State Agency (the Agency for International Youth Programs), which are not responsible for any use that may be made of the information contained here.

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Sansusī volunteer projects

Within the framework of European Solidarity Corps-funded voluntary work projects, we host both individual volunteers and volunteer groups from various countries at the Sansusī residency center. Through their volunteer work, young people support the activities of the association, improve the facilities of the residency center and help ensure its operation, assist in organizing the Sansusī Festival, support the local community, and through cultural exchange, creativity, solidarity, and inclusive activities, get to know themselves and others.

Project Sansusī Volunteer 2025–2026

The European Solidarity Corps-funded voluntary work project brought together 16 young people from different countries for five weeks in the summer of 2025 at the Susēja artist residency center.

In 2026, the project will also host individual volunteers, as is being done in the 2024–2026 project.

The project is co-financed by the European Union within the framework of the European Solidarity Corps program. Quality Label Numbers 2022-1-LV02-ESC50-QLA-000112752 and 2020-1-LV02-ESC52-003470. Project No. 2025-1-LV02-ESC51-VTJ-000346775. In Latvia, funding is managed by the Agency for International Youth Programs.

Project Sansusī Volunteer 2024–2025

The European Solidarity Corps-funded voluntary work project brought together 12 young people from various countries for five weeks in the summer of 2024 at the Susēja artist residency center.

From May 2025 to March 2026, we have hosted and plan to host additional individual volunteers from various countries at the Susēja artist residency center. These volunteers will live and work together in a rural cultural environment, developing their personal projects, supporting artists, helping to organize cultural events, and improving community spaces. By March 2026, we will host more volunteers who will work at the residency center and actively engage in the local community.

The project promotes solidarity, creativity, and mutual growth.

The project is co-financed by the European Union within the framework of the European Solidarity Corps program. Quality Label Numbers 2022-1-LV02-ESC50-QLA-000112752 and 2020-1-LV02-ESC52-003470. Project No. 2024-1-LV02-ESC51-VTJ-000224668. In Latvia, funding is managed by the Agency for International Youth Programs.

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Susēja Beautiful Concerts

The project provides professional music concerts in Selonia, making them accessible to everyone regardless of age, language, or social status. It aims to foster public interest and understanding of academic art development and cultural diversity in the Selonia region. At the same time, the event promotes the decentralization of quality cultural offerings, delivering high-value cultural experiences to the residents of Selonia and contributing to the development of a new regionally significant cultural venue.

On July 27, 2025, a concert by Matīss Čudars, Edvīns Ozols, and Rūdolfs Dankfelds took place in the Susēja Dome. On October 5, the trio of Agnese Egliņa, Elza Siliņa, and Rinalds Rozenlauks performed, while on October 30, a quartet featuring Patrīcija Bloma, Tomass Ančs, Marta Balode and Edvards Paulis Muzikants will perform in the Susēja dome.

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